The Morse Museum 2024

I went to the Morse Museum for another look at all of the gorgeous stained glass.

A close up of all the textures that appear when you shift to the side of the piece.

A watercolor painting of tomatoes (above) and plums (below).

Some of the iconic Tiffany lamps.

These shades would hang off the lamp to help provide additional coverage from direct light. 

Old Time Walk by Worthington Whittredge, 1873.

The Chapel.

Beautifully detailed bracelets.

The Wreck by Lockwood de Forest, 1880.

The fountain outside perfectly lining up with the tile on the floor.

A lamp with its attached dragonfly shade.

An incredibly iridescent beetle lamp.

The Tampa Museum of Art

A few pictures from my visit to the Tampa Museum of Art.

Set of Tools, Roman Imperial period, 1st-2nd century CE.

This bronze set of tools hanging from a ring includes items such as tweezers, a spatula, and a straight pin. Reminiscent of a key chain or a Swiss Army knife. 

Untitled, by Roger Williams, 1975.

This painting was large and striking. Upon a closer look, you could see the incredibly fine brush strokes of the artist’s hand. The lines were so crisp and the colors so smooth; it was remarkably precise in its execution.

Dove Earring, Greece; late Classical - early Hellenistic period, 4th-3rd century BCE.

A single delicate gold earring with a dove and a red carnelian bead. The dove was beautifully crafted with incisions to mark the feathers. It even had little feet. 

Wedding Scene, Greece; classical period, 400 BCE.

The description read: “This red-figure fragment comes from a loutrophoros, a type of vessel often used in a bride’s pre-nuptial ritual bath or in the funeral rituals for unmarried women. The vase painting depicts a wedding scene with the groom on the right, holding the hand of his bride on the left. Of interest here is that the vessel was deliberately broken and burned, pointing to a funerary ritual lamenting a young woman’s early death.” 

Little Master Cup, Greece; Archaic period, 540-530 BCE.

Between the figures of a siren and a sphinx an inscription translates to “rejoice and drink up”. 

Bag with Natron, Egypt; New Kingdom, 1323 BCE.

The description read: “This unseemly linen bag was found in a pit with refuse from the embalming process of Pharaoh Tutankhamon fifteen years before the discovery of King Tut’s famous tomb by Howard Carter in 1922. The bag is filled with natron (hydrated soda ash combined with other minerals), used in the king’s mummification process.”

Gourd-Shaped Container, Italy; Archaic period, 625-575 BCE.

This unusual ceramic vessel was made in the shape of a gourd and painted with birds, sphinxes, and geometric latticework. There were holes on the vessel and the lid for a cord to be used to hold them together in place. 

Gold Earrings, Italy and Greece, various time periods from the 4th century BCE to the 2nd century CE. 

This lovely display was full of earrings with incredible craftsmanship. I am always struck by the intimate nature of jewelry. Every piece was unique, ornate, and highly personal. Some may have been gifts to a loved one. Many looked remarkably modern. 

Hera, (no artist listed), 1927.

This was a plaster model for a sculpture of the goddess Hera. The pencil markings were used to help the artist make copies. The tiny “x” markings actually resembled the pattern on the bride’s dress from the broken piece of pottery from the Wedding Scene above.

Sacred Lands Preservation and Education

For Mother’s Day Weekend my sister Liz arranged for our family to take a tour at Sacred Lands Preservation and Education in St. Petersburg. It is a small, unassuming property that we’ve driven by a thousand times but never realized it was home to one of the best preserved American Indian Mounds in Florida as well as the historic landing place of the 1528 Narvaez Expedition.

One of the peacocks hanging out on the roof.

A string of Spanish trade beads dating from the mid 1500s. The Spanish would exchange the beads with Indigenous tribes.

This plant is called coontie palm or arrowroot. Our tour guide explained that it was toxic, however, the toxin was water soluble. The Indigenous tribes who cooked with it would have to go through a process of “eight washes” before it was safe to consume.

One of the peacocks on the dock.

A peahen resting in brush.

Our tour guide David with one of the peacocks in full display.

A peacock alongside a pile of shells that are over 500 years old.

Some of the Indigenous pottery found on the site.

David explaining the history of the shells and pottery fragments.

An example of the thick, plain pottery for every day use alongside a thinner, more decorative piece most likely made for ceremonial use.

The sturdy core of a conch shell, which the Indigenous tribes would use as a tool for scrapping and grinding.

A pair of young Lubber Grasshoppers basking on a leaf.

Our tour guide David did a tremendous amount of research and was a wealth of knowledge about the site as well as the surrounding area. I learned so many things about the history of my hometown from this amazing tour! For more information please visit: https://sacredlandspreservation.org/

Sarasota and The Ringling Museum of Art

My mother and I decided to head down to Sarasota for a little mini trip. Our first stop was to meet my mother’s cousin Mary and her husband Kelly at O’Leary’s Tiki Bar and Grill.

Mary and mom.

Myself, Mary, and mom.

Mom, Mary, and Kelly.

Mom, Mary, and myself. Photo by Kelly Rolfe.

Later that evening my mom and I watched the sunset on Siesta Key.

Mom and I checking out of the hotel the next morning and ready to spend the day at The Ringling Museum.

One of the dying but still vibrant leaves of one of lovely plants around the museum.

A serene statue in the rose garden.

Mom in front of one of the massive Banyan Trees. 

The path way leading up to the Ca’ d’Zan, the beautiful home of John and Mable Ringling completed in 1926.

The bar with beautiful honeycomb windows.

A lovely antique mirror.

One of the intricate ceilings.

Mom in front of the colorful stained glass doors leading out to the back patio.

Photo by Teresa Kasper.

One of the museum guests admiring The Judgement of Paris by Lodovico David, 1690.

Tobias Taking Leave of His Parents by Nicolas Tournier, 1623-1625. The description read as follows: 

“The Vulgate Bible’s book of Tobit tells the story of the young Tobias who leaves his parents for an adventure that brings trials, riches, a beautiful wife, and a cure for his father’s blindness. Here, we see the first step of that journey, where a hesitant youth led forward under the guidance of the archangel Raphael glances back at his parents with uncertainty. Each face conveys palpable emotion and humanity, the type of naturalistic effect Tournier adopted from the work of Caravaggio and his followers in Rome.”

A detail of The Vision of Saint Jerome by Johann Liss, 1625. 

The musculature of the leg was breathtaking.

Mater Dolorosa by Onorio Marinari, 1670s. 

The blue is remarkably vibrant in this painting over 350 years old.

Family Group by Giovanni Antonio Fasolo, 1565. The description read as follows: 

“Giovanni Antonio Fasolo is best known for his portraits of nobility from the Veneto, the region encompassing Venice and the surrounding area. While this family has not yet been identified, their high rank is clear: the father’s black robe lined with lynx fur was typical of the Venetian elite. Fasolo makes the father the visual and spiritual support of the family, a steadfast, column-like figure who towers over his offspring. But though he is imposing, he is not without feeling, as seen in the tender clasping of his daughter’s hand.”

A Female Saint, Spanish, 1650.

Plowing in the Nivernais by Rosa Bonheur, 1850.

While the original hangs in Paris, this copy was made by the artist herself. Bonheur was one of the most successful female artists of her time. Her realism and attention to detail are extraordinary.

Victory by the Chiurazzi Foundry, early 20th century.

Moonlight Landscape by Joseph Wright of Derby, 1785.

A close up of the incredible detail.

A detail of Portrait of a Lady by Johann Georg Ziesenis, 1760’s-1770’s. 

I just love the delicate lace, her gentle expression, and the little dog cradled in her arm.

Pieter Jacobsz. Olycan by Frans Hals, 1639.

I think this artist did remarkable job capturing the spirit of the sitter, a wealthy brewer and political figure, who looks as though he was in the middle of a lively conversation.

Still Life with Parrots by Jan Davidsz de Heem, late 1640’s. The description reads as follows:

“De Heem is celebrated for luxurious still lifes depicting tables over-laden with ornate glass and silverware, fruit, and crustaceans. Many items here were not indigenous to the Netherlands, including the African gray parrot, the scarlet macaw from Brazil, citrus fruits from southern Europe, and rare shells from the East and West Indies. Glasses of wine and a flagon of beer betoken indulgence, as do the oysters, thought to stimulate sexual appetites. Altogether, these delicacies represent the prosperity and global reach of the Dutch in the seventeenth century.” 

This has to be one of the most breathtaking still life paintings I have ever seen. I remember seeing this over 20 years ago on a high school field trip to The Ringling Museum. It is so easy to get lost in this painting. Every inch saturated in lavish color and detail.

A close up of the luminous shells.

A tiny butterfly hanging on to a leaf.

The ornate and shimmering fabric draped over the table.

The reflective silverware (complete with dents) alongside the oysters and fresh fruit.

The detailed underside of a crisp leaf.

The glistening grapes and a tiny ant on one of the ripe peaches.

A grasshopper.

Mom taking pictures of the details.

Madonna and Child, India, Goa, 18th century.

Funerary Jar, China, Neolithic period, 2500 BCE.

Kinrande Bowl, China, Ming dynasty, late 16th century.

Red Underglazed Plate with Fish Motif, China, Ming dynasty, Zhengde period, 1506-1521.

Blue-and-White Pilgrim Flask, China, Ming dynasty, 1403-1424.

Dish with Two Unglazed Carp, China, Southern Song period, 12th-13th century.

Extension by Yoshida Tōshi, 1969.

East and South by Yoshida Tōshi, 1972.

Sound of Temple by Yoshida Tōshi, 1972.

30th Century by Yoshida Tōshi, 1969.

Sleeve Vase with Enamel Decoration, China, Qing dynasty, late 17th-early 18th century. 

Stone Statue of Seated Bodhisattva (Guanyin), China, Song dynasty, 10th century.

Myself and mom in the courtyard.

Photo by Theresa Kasper.

A delicious late lunch at Venezia Italian Restaurant.

A quick stop at Ben and Jerry’s Ice Cream.

Taking a photo of the Sunshine Skyway Bridge on the way home.